How to draw on the computer with a Wacom Tablet & Stylus | FREE tutorial for complete beginners

How to draw on the computer with a Wacom Tablet & Stylus… ( updated 2024 )

To those who have never drawn anything on a computer, it can feel overwhelming to know where to start.

Before investing my time and money in using a professional Wacom tablet, I first started out with a basic roller ball computer mouse and MS Paint. Yes, it was that long ago!

This method of drawing on a computer with a Wacom tablet predates how I learned how to draw commercially on a computer. Before attending design college and building a design career.

When drawing on a computer, the mouse is the first obvious tool to use. As you invest your energy and education into drawing on a computer, you will want to seek out better hardware and software to support your digital drawing journey.

The mouse should be your first step, but don’t stop there!

This post is a great introduction if you are considering using a tablet to draw on your computer.

How to draw on the computer with a Wacom Tablet & Stylus - Title graphics - picture of purple vector Wacom tablet overlaid onto dark background

Drawing with a tablet | overview – why use one?

One of the best ways to draw on a computer is by using a Stylus & Graphics Tablet in conjunction with a powerful art creation program. Using a tablet will afford you a greater degree of artistic freedom and finesse once you have become accustomed to the nuances and sensations of using one. However, This is also assuming that you can draw to a certain degree in the first place.

How to draw on the computer with a Wacom Tablet & Stylus- Blue ball raster graphics
How to draw on the computer with a stylus & tablet – blue vexel ball example

How to draw on the computer with a stylus & tablet – Quickfire answer

In terms of how to use a stylus and tablet ( or ‘drawing tablet’ ) from a technical standpoint, it is typically a case of plugging your tablet into your computer, downloading and installing the latest drivers and software, and then calibrating your drawing tablet.

Once this core set-up is completed, you can then set about installing drawing in programs such as Adobe Illustrator or Photoshop.

The technical setup is not that complicated when comes to how to work with a drawing tablet.

How to draw on the computer with a stylus & tablet with regards to technique.

Treat the tablet as you would a sketchpad and pencil. Apply light strokes and heavy strokes, bold strokes, and small strokes. Get used to the pressure and sensitivity of your tablet. Learn to ‘feel’ the tablet ( cringe ). And give it time.

The video below is me drawing a blue ball using a Wacom Tablet and Photoshop.

*If you have applications installed on your computer.

This is a hyper-lapse of myself creating the blue ball above – ‘vexel’ a combination of Vexel and Pixel.

For more information on how to create digital artwork on the computer, read on!

“you will need to practice, practice and then more practice.”

Wacom tablet and stylus example
Tablet & Stylus – Wacom
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How to draw on the computer with a stylus & tablet | Managing expectations

Not wanting to lead any readers or budding designers astray, I feel one of the first things I should touch upon when learning how to draw on a computer with a drawing tablet such as a Wacom, is managing expectations.

Although knowing the technicalities of how to draw with a stylus and drawing a tablet on a computer sounds like a golden bullet. The technicalities are only the first part of the journey when it comes to drawing on a computer.

The real knack for making your own artwork comes with practice – not the tools. A piece of high-tech equipment won’t provide you with the soulless magic results like an AI generator.

That is not how it works if you want to create your ‘own’ artwork.

To get your digital artwork or design to the place you want it, you will need to practice, practice, and then more practice.

If however, you are of an arty-illustrator vein. Then ignore what I have said above. You may take to drawing or designing on a computer like a duck to water if you are already a proficient artist or illustrator! Let your flair flourish and shine!

Here are a few examples of what I have illustrated ( drawn ) on a computer with my Wacom Tablet. Followed by some simple steps.

What I have drawn ( illustrated) with a Wacom Tablet on a computer

Character illustrations I have created with my Wacom tablet
Characters illustrated for a board game.
Board artwork illustartion - How to draw on the computer with a stylus & tablet
Illustration of a stylus
Drawn a wacom - illustartion of stylues base / well

Step ‘0’ ) How to draw on the computer with a stylus & tablet – Be able to draw

As a pre-step, I can’t assume too much.

You will need to make sure you can draw to a certain degree with a pencil or pen before you can expect to draw on a computer with Wacom or a digital tablet. No matter what hardware you own.

If you want to create your own artwork away from AI art generators, you will need to be able to draw to some degree.

The technology and hardware, will not magic your hand and eye into creating what you want.

Even if you can only sketch, this will be a huge advantage when drawing with a stylus on a computer. This is a pre-step warning!

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Step 1 ) The required equipment to draw on a computer

To draw on a computer with a tablet … you will need to own the required equipment. Or borrow. This should be a given. I have used the following bits of equipment in the past ( aside from a mouse ):

  • Wacom Bamboo and pen – a more entry-level drawing tablet at the time ( now legacy)
  • Or a Wacom Intuos Pro & Pen ( medium ), this is what I’m using at the moment.
  • * Or a Cintiq ( I’m jealous )
  • A working keyboard
  • A computer that is compatible with a tablet
  • An operating system that is compatible with your drawing tablet
  • *Your computer will also need to be able to run both the drivers, the tablet, and the software
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Step 2 ) Understanding the type of digital art you want to create ( not genre )

When considering how to draw on the computer with a stylus & tablet, you may wish to consider the type of artwork you want to create.

This can steer the type of software required to draw on your computer. I have attached an example here.

Vector Art and raster art example - How to draw on the computer with a stylus & tablet

style examples, Photoshop Vs Illustrator

You will notice the different styles above I have created using certain software with my drawing tablet. You can create certain types of finishes in varying programs.

Vector Illustration ( left blue ball )

Imagine drawing with cut-out shapes, knives, sprays and pieces and pieces. With the types of programs that allow you to draw and create vector artwork, you can create a range of slick illustrations.

With vector artwork, the appearance can appear clean and tidy. You can also scale the work up and down without loss of quality. Vector artwork lends itself well to commercial logos, large format graphics, icons, and UI’s.

Here is an example of some of my other vector artwork.

Token vector illustartions for board games - drawn in Adobe Illustrator

Bitmap based artwork – Raster ( right blue ball above )

You may notice the ball on the right has a more painterly feel ( refer to the illustration above). For this more textured appearance, I digitally painted this in Photoshop. Some may find this approach more akin to drawing or painting using traditional methods.

Bitmap format or digital painting in particular lends itself well to a more painterly, textured, or grainy appearance. If you have painted in acrylics for example, you may prefer this approach. But it doesn’t always lend itself so well to all circumstances in print.

Blue ball painted in Adobe Photoshop

Is creating digital art easy?

Yes and no, getting started with creating digital art can be very easy and low cost. Getting to a stage where you could call yourself a professional artist takes time and years of practice. The best way of getting started with creating digital art is by downloading graphics software and practicing to improve your digital drawing techniques.

I wish I could find my very first digital drawing, it was created on a Windows 3.2 in the era of the awesome floppy disk – you can read a bit about me here.

This is perhaps a topic I would like to dive into again in another post.

Digital art can be accessible with the right tools and equipment. Working with the Wacom Tablet for example can streamline the process further.

Step 3 ) What digital art software should ‘I’ use?

There are so many to pick from, but for the sake of just creating something you can call ‘digital art’, as a hobbyist begin with something you may already have, MS Paint In Windows.

Gimp Icon
Gimp Logo

There are other art programs out there that are also free such as Gimp and Krita. I have personally never used Krita but the results on the website show what it is capable of and it has also been given a recommendation from a reputable digital art magazine IFX. This magazine is dedicated to creating fantasy, digital, and traditional artwork.

Advanced digital artwork software ( what I use )

As both a designer and digital artist, I use 2 main programs to create my art and design work, these programs being: Abobe Illustrator and Adobe Photoshop.

Adobe Illustrator

Adobe Illustrator often gives a very clean-cut appearance that you may see in books, posters, lifestyle magazines etc – this is called ‘vector art’.

Adobe Photoshop

Adobe Photoshop is a versatile piece of software that behaves like a drawing and painting tool and offers an intuitive workflow.

It should be noted that these programs can both be tricky to master and you may be more drawn to one than the other. You can get a free trial or purchase a subscription to use the software by going to Adobe Creative Cloud.

If you are just starting out on your journey to becoming a digital artist or illustrator, I would test a free program first.

Use the images above as a reference if you are just starting out or if this is part of a hobby. For me, it works like so.

Simple differences in what type of artwork Photoshop or Adobe Illustrator creates.

  • Clean cut, modern vector artwork = Adobe Illustrator
  • Grainly, textures, and painterly = Adobe Photoshop

How to draw on the computer with a stylus & tablet | Deciding on software

As a budding digital artist, designer, or illustrator you will want to consider how you want to draw with a Wacom Tablet. What sort of outcomes are you looking to achieve?

If you are unsure and just trying your hand at creating digital art on a computer, you may want to consider the selection like so.

Adobe Illustrator may suit you more if you want to become a designer or a clean-cut vector artist. The way a vector drawing behaves inside a program is quite different from a raster art program such as Photoshop.

Adobe Photoshop is great If you want to work as a traditionally styled illustrator, digital painter, game artist etc.

There are thousands of examples of digital artists on social media with websites and professional blogs.

Here are some examples here of my vector artwork.

This person here is a terrific vector artist and designer – Vicky Doodles

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Step 4 ) Grab Your stylus, and your Wacom Tablet and start drawing

Assuming that you have now decided on the type of artwork you want to experiment with, now is the time to start using the equipment.

To continue with an overview of how to draw on the computer with a stylus & tablet. Make sure you have plugged in and installed your tablet correctly.

If you have started with Adobe Illustrator as your application of choice. I would recommend starting the tool that is in tune with the Wacom Tablet, eg the brush or pencil. My first port of call would either be the Pencil or the Brush tool.

Start making small strokes with the stylus on your Wacom and see how the stroke behaves.

Or if you prefer, start working with some of the most basic shapes first and move these around your artboard as you would with a mouse.

Short overview of how to draw with a tablet in Adobe Illustrator

  • 1 ) Firstly you will want to start up Adobe Illustrator.
  • 2 ) Create a new document of your choosing. You can start with A4 for the sake of experimentation.
  • 3 ) Select the brush tool “B” and start making some marks and feel how the tablet responds to you and Adobe Illustrator. You can always undo it if you make a mess.
  • 4 ) If you prefer, you can also try to create an image with shapes first if you are familiar with working with vector graphics.

Illustrations – working in Adobe Illustrator and making marks.

Short overview of how to draw with a tablet in Adobe Illustrator - demonstration
(M) for rectangle tool in Adobe Illustrator

If you read on, I have also created some short exercises to play with – for free! Hopefully, these will get the juices and familiarity working when using your Wacom Tablet.

How to draw on the computer with a Wacom Tablet & Stylus - method fro drawing in adobe illustrator

Short overview of how to draw with a tablet in Adobe Photoshop

If you have decided you would prefer to create artwork in Photoshop on your computer then this is the paragraph for you.

How to draw on the computer with a Wacom Tablet & Stylus - using adobe photoshop for practice
  1. ) Goes without saying, but open up Adobe Photoshop – and create a new document.
  2. ) Select a brush tool and start painting/ drawing onto your blank document. Remember, this is only to get used to using your Wacom Tablet and Stylus. I used black.
  3. ) Press ‘F5’ to open your “brush settings”, select a tip you like and tick “transfer”.
  4. ) Now start painting and building a feel for your Wacom tablet. Another tip, play around with the opacity to help build your brush strokes on top of one another.

When learning how to draw on the computer with a Wacom Tablet & Stylus, the snappy overview above will hopefully get you started. But, I have also created some exercises for you in the next step, to really give yourself some time when drawing with a Wacom Tablet.

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5 ) How to draw on the computer with a Wacom Tablet & Stylus | Exercises

To further develop and play with your Wacom tablet. I invite to to take part in these exercises I have created for you for free. The illustrations below should guide you on what you need to do when drawing on a computer with your Wacom.

Exercise for drawing in Adobe Illustrator with your Wacom & Stylus

How to draw on the computer with a Wacom Tablet & Stylus - Exercises and practice, adobe illustrator
When practicing drawing with a Wacom Tablet, it may be easy to save and download the reference exercise above. If you want to use this for learning feel free to take it and save it to your computer. Although it cannot be used for commercial purposes. Feel free to credit and link back to this page – How to draw on the computer with a Wacom Tablet & Stylus

Exercise for drawing in Adobe Photoshop with your Wacom & Stylus

How to draw on the computer with a Wacom Tablet & Stylus | exercise, drawing in photoshop

How to draw on the computer with a Wacom Tablet & Stylus | Concludes Steps

That concludes the step and general over of how to draw on the computer with a Wacom tablet & stylus. By all means, feel free to revisit the steps and stages above. Or if you feel this was a lot to remember, why not save this page as a favourite or bookmark. ( thanks )

But hey, I am not yet finished, I have also noted some key differences when drawing on a computer.

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Wacom & stylus vs drawing with a mouse

Very old computer mouse for drawing on a computer!
If you are actually drawing on a computer with these legendary relics… Kudos to you. Image Source – Wikpedia

If you are still wavering as to whether you want to draw with a Wacom. I have gone into a little bit of additional depth. A bonus section that is a supplement to the ‘how-to’.

A computer mouse in action

This example shows the end result of some digital artwork created using a mouse in Photoshop. It’s a bit trickier to use although it’s not bad for straight lines!

Drawing with a mouse! Visual example
Drawing with a mouse! (An Apple Smart Mouse)

I would advise moving on from a computer mouse at some stage if you are thinking of getting serious with drawing on a computer, be it for graphic design, illustration, or your own sanity.

If you are thinking of spending many hours drawing and creating digital artwork, using a different input will save on potential wrist aches.

The day I plugged in a Wacom graphics tablet, was the day I changed the way I created digital artwork on a computer. Using a drawing or graphics tablet can make the experience of creating artwork on a computer much more organic.

A Wacom & stylus in action

Below is an example of me sketching something in Photoshop using a stylus + tablet. It’s a quicker, smoother, and much more human way of creating a drawing.

Drawing with Stylus and Tablet example
Drawing with Stylus and Tablet. Handles, curves and waves, and is much easier to flow with

After using a Wacom Tablet for a few years now, I would struggle to return to drawing with a mouse. Outside the less control, the amount of RSI I used to get from drawing with a mouse, would be enough to put some off the profession.

Give a drawing tablet a try. I love them.

Summary | How to draw on the computer with a Wacom Tablet & Stylus

And that should conclude the basic overview in steps of how to draw on the computer with a Wacom tablet & stylus. As an overview, here is what we can do.

  1. Buy a stylus and drawing tablet of your choice.
  2. Install the hardware on your computer.
  3. Check the drivers are up to date – calibrate the software to your computer
  4. Download a graphics program such as Photoshop or one of free applications mentioned previously.
  5. Open the software.
  6. Start creating digital art!

Aside from the technicalities of the hardware, the real skill comes from lots of practice. Make sure to follow the short tutorial/exercises above to get you started with drawing your Wacom tablet.

Credits – All the best with your digital art journey and creating digital awesomeness on your computer

Thank you for reading, hopefully, this post has given you some insight into how to create digital artwork with a Wacom Tablet and an idea of tools you can use to draw on a computer.

If you would like any professional assistance please feel free to contact me on my website.

You may be also interested in reading this :
Handling black in print
Creating artwork for game
Reducing Banding in Photoshop
How to reduce banding on Photoshop
Editing text on your playing cards in Indesign

Case study | graphic design and making a game
Home » Photoshop

Okay Aardman! Wallace & Gromit Project

Aardman Wallace & Gromit Project – flex those Adobe Illustrator muscles. I have a new post to share… kindly, the team over at Paper Engine has now said that I can share and discuss my part in creating some of the packaging concepts for a new range of Wallace & Gromit themed products.

The artwork shown in this post was used to pitch to Aardman for a new range of British designed card products, otherwise known as – Build Your Own, For Paper Engine.

Aardman Wallace & Gromit Project - box
Aardman Wallace & Gromit Project Wrong trousers

Aardman Project | The Brief

The Brief | I was commissioned by Paper Engine to help create the core design for the packaging concepts for a new range of of Wallace and Gromit themed paper products.

Aardman had set up an agreement with Paper Engine for them to come up with a range of products, themed around Wallace & Gromit.

If you don’t know Aardman, they are the animation studio behind Wallace & Gromit, Chicken Run, Arthur Christmas, and Shaun the Sheep to name a few.

Paper Engine got in touch with me and asked for assistance in coming up with the core packaging concept to pitch to Aardman.

I won’t lie, I was excited and honoured.

Under a strict NDA, I was called in to help come up with some of the core concepts for the new eye-catching packaging.

The NDA has been relaxed now, as the products have been released onto the market. So don’t worry. And I asked the crew over at Paper Engine and they were happy to allow me to show my my part!

(All artwork on this page is the intellectual property of Aardman and Paper Engine. Do not copy, save, or download any of this content for commercial use ).

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Packaging For Paper Engine… Which was actually for Aardman

To spill the beans on the projects.

Here is a bit of extra information on the project process. Once Paper Engine had sent the brief across to me, and we did all the admin, the project was set in motion!

Aardman Wallace & Gromit Project | The design process involved…

  • Coming up with some very early ideas for speech bubbles, titles, typography, backgrounds, and other accents and parts for the project.
  • Creating a variety of packaging front ideas for both products.
  • Developing rough designs into polished designs.
  • These were presented to Aardman ( gulp ).

It should also be said that this project was quite particular and that there were 2 companies involved in the approval process. Nonetheless, it still allowed room for design creativity.

Aardman Wallace & Gromit Project
Aardman Wallace & Gromit Project
Aardman Wallace & Gromit Project
Aardman Wallace & Gromit Project
Aardman Wallace & Gromit Project Typography
Background idea

Aardman Wallace & Gromit Project | Developing The Design

While I was allowed to work conceptually and creatively, I also had to adhere to 2 sets brand guidelines! One set was supplied by Paper Engine for Paper Engine and, the other was for Aardman!

Aardman Wallace & Gromit Project
box
Aardman Wallace & Gromit Project - 2 rockets
badges

Aardman Wallace & Gromit Project | The Delivery

After working on the polished designs, Paper Engine pitched the artwork to Aardman. I was told on the grapevine that they were pleased with the project – with very few changes to the pitch!

Thank you Paper Engine, it was an honour! From there the look and feel for the range was set. It was an awesome project.

How I approached the project

When creating the packaging, I tried to create artwork that was exciting and matched the tone of Wallace & Gromit. I also tried to create packaging concepts that would excite both children and adults if they saw them on the shelf!

‘wow look at that!’

type of thinking with the hopes somebody would pick the product up and purchase it. The product did most of the selling in all fairness, these are very cool products.

Aardman Wallace & Gromit Project | Paper Engine Testimonial

‘We worked with Jimm on some early packaging concepts for our collaboration with Aardman on three Build Your Own kits. He delivered some superb designs which enabled us to get ahead of the curve by keeping the client on board with approvals and saved us some valuable in-house studio hours. We would definitely work with Jimm again in the future when the occasion arises. Top marks. 5 stars.’

Geff – Creative Director, Paper Engine Ltd.

Aardman Wallace & Gromit Project | You may be interested in some of the following

Retail packaging projects
Stem Project samples
Snakes & Ladders type board game
Board game playtesting post

Why not read more on my playtesting post?

3rd Party

Jimmsdesign Services

Dragon Bone Games ( Board game website )

Speed tips for Photoshop layers!

Speed tips and shortcuts for Photoshop layers!

If like me you need work layers in Photoshop any time saving measure is a bonus. I have a compiled a short list of shortcuts for making the best use of Photoshop’s layers for both the Mac and PC – Enjoy!

(Swap CMD for CTRL on Windows)

Photoshop Layer Icons
Photoshop Layer icons
Photoshop Layer UI
Layer Graphics

Change the layer order,
move it up and down :

  • Cmd+[ Move Down
  • Cmd+] Move Up 
  • Cmd+Shift+] = to move it to the bottom of the stack
  • Cmd+Shift+[ = Move it to the top of the stack

Direct select a layer

With move tool selected (V) hold Cmd to highlight the layers directly from the art board. This will also highlight groups.

Duplicate a layer 

Ideal for copying a layer! Cmd + J to copy a selected layer! Or you can drag the selected onto the ‘New” icon! OR right click and duplicate – A personal fave.

Colour Coordinated

In addition to organizing you layers into folder and groups, why not colour coordinate the layers so you glance at groups? Brown for dirt, green for sea etc. Right click and select a colour.

New Layer Cmd+Shift + N brings up the new layer dialogue.

Cycle Through Blend Modes

Need to see what a multiply, saturation, or overlay will look like on the fly?

Shift + (Minus or plus, top right of the keyboard)

Layer Opacity
With the layer selected you can quickly change its opacity by pressing >

Shift + (Minus or plus, top right of the keyboard)
Shift + 22, 30, 23 (a number from the top row) typing the number in quick succession will change the layers opacity percentage. Hold shift and then press “22” the layer will be 22% “30” = 30 %.

Very handy for digital painting or retouching.

Group Layers

Select your layers and press Cmd + G to group them together. If you are not grouping your numerous layers… you should start. For sanity’s sake.

The original text for this was created and added to blogger in 2016 (Jimm Odell Blog). This has since been tweaked and added to this blog – the professional blog.

Easiest way to make a Photoshop brush – short tutorial

The easiest way to make a Photoshop brush. This is a short tutorial on how to make a simple Photoshop brush in simple easy-to-follow steps. No fuss, no headaches.
I have used this exact same technique for making brushes over the years as a designer.

It is straightforward to make your custom brushes in Photoshop ( or Adobe Photoshop ) as an overview. All you will need to do in essence is draw your shape or item on a blank document and turn this selection into your new Photoshop brush.

The core steps : Start with creating your brush, defining it, and adding it to your palette! Let us draw a shape on black on a white background and see easiest way to do it.

Now to the steps on the easiest way to make a Photoshop brush.

1 ) New Document

1 ) Open PS and make a new document – 300 x 300 px and 72 DPI for good measure, make sure the background is set to white. ( You also work with other size and resolutions if you prefer )

2 ) Create Your Brush

2 ) Working in black and white (Shortcut ‘D’ for black and white) draw your brush shape (in black) onto your new document. For the sake of this tutorial, I have made mine a solid brush.

Photoshop brush splat - Easiest way to make a Photoshop brush - short tutorial
Create A Photoshop Brush

3 ) ‘Select’ The Brush

3 ) Either by using the marquee tool or Apple + ‘a’ to select all (CTRL + A for windows). And select the area or part you want to turn into your brush. For me, I wanted to use only the black splat in this example.

If you have selected the brush you want to define, you can go to the next step!  Make sure you have selected your brush artwork. With selections, you may see ‘marching ants’ around your selection.

4 ) Define Brush

4 ) Go Edit > scroll down to  ‘Define Brush Preset’ and click on or select it.
label your brush, I called this oneblob and then click ‘OK’

Name your brush | Easiest way to make a Photoshop brush
Label Your Brush

5 ) You have created a brush in Photoshop!

Well done, you should now have designed your very own custom brush and saved it to your library. If you press ‘F5′ to look at your brush palette, you will see the brush you have just made listed at the bottom of your library.

Why not open a new document and test out your newly created Photoshop Brush, I hope you enjoy making more awesome brushes.

Brush library | Palette tutorial on making a Photoshop brush.
Brushes!

If you need a Professional Designer experience in Photoshop come and say hello!

If you are a DIY designer or creator, you may find some of these topics helpful. How to edit text in inDesign for card games. Or how to draw on a computer.

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop | Tricks

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop ( *updated )

Posterization or ‘banding’ as it is known in Photoshop is a bane to many graphic design professionals or those working in print.

However, ‘banding’ is not limited to just print.

Banding, or posterization can also occur with screen-based imagery but it tends to be more pronounced and commonplace with print-based media in my experience. There is nothing more frustrating than seeing your lush and smooth gradient onscreen only when printed to see the same artwork with segmented bands across your gradient.

Over the years as a professional in-house designer, I have come across banding on more than one occasion. One of the worst culprits for showing banding is when working with greyscale or black. It was a challenge that used to drive me up the wall.

After much trial and error, here is a quick overview of some simple techniques I used to employ to reduce banding in Photoshop.

Some of the simplest techniques to reduce banding or posterization in Photoshop is by either applying ‘noise’ to your brush ( in your brush settings F5 ) or creating a separate ‘noise’ layer and overlaying this on top of a gradient layer to disguise the banding. This will give the illusion of smoother better blended artwork and remove the ‘stepping’ from your gradient. These techniques for handling banding can work especially well when working with mono-colour gradients such as black and white. There are also other tricks I have used in conjunction with this method written below.

It often took various attempts to get it correct before sending it to print so don’t become too disheartened if your first try isn’t quite on par with what you expect.

Simple techniques to reduce ‘banding’ | how I handled it

I often ran into banding situations when creating super smooth blends with colour.

It often took various attempts to get it correct before sending it to print so don’t become too disheartened if your first try isn’t quite on par with what you expect.

*Simple tip! If you have a local home printer or high-quality photographic inject printer, use this to test and measure your artwork.

I found these methods I have written below to make a world of difference when it came to creating a prototype or print production. All these methods I have actively used when working in Photoshop.

Some may call these hacks, others tricks but I like to regard them as ‘techniques’ for fixing a problem in print.

You may need to try various levels and settings, brushes and overlays to cure your banding problems. One solution may be enough, but you may wish to employ more than one if you are struggling to get the result you want.

Here is a detailed overview of some of the simple techniques I used to reduce banding.

Simple techniques to reduce 'banding' ( Posterization ) in Photoshop example banding
Look in the top left of the brush, and notice how you can see the steps/rings on the outermost edge? This is much less obvious in the lower part of the black blob where I have switched the noise on. This is an example of where I have used noise! Take note of the speckly grainy edge of the soft-brush. This brush helps the ‘steps blend better!

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop – tricks

Simple techniques to reduce 'banding' ( Posterization ) in Photoshop - how to smooth...
Silkly smoote !!

Before jumping in with the simple tricks you can use. Let us start with the basics. Or if you can’t be bothered reading about banding and when it occurs, you can jump straight to the tricks and hacks for dealing with it.

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Banding & Posterisation in Photoshop – When it occurs

If you don’t wish to read about when “banding” has occurred for me, feel free to jump to the next section.

The dreaded banding aka Posterization in Photoshop.

Drawing, digital painting, and creating renders in Photoshop have been a core part of my past and present career.

I have seen the issue of ‘banding’ arise over and over again, so have had to find techniques to better deal with it.

This issue rears its ugly head when it comes to working with radial and linear gradients and tones of black and grey inside Adobe Photoshop.

When working with black as part of the colour palette, I have witnessed these scenarios of when banding tends to happen :

  • When rendering characters like Rufus the rat as ( black and grey ) ( illustrated below )
  • When trying to gain soft curves of light-darker areas
  • When light grey curves around to dark grey
  • It was more common when working with black
The methods above were used on this character – Copyright Satzuma LTD – Rufus Rat.
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Trick 1 ) ‘RGB?’

Controversial, I know. But when waging a battle to reduce ‘banding’ in Photoshop, any tool at your disposal can help.

RGB ‘can’ offer a greater degree of flexibility in the beginning when trying to wrestle with artwork to remove banding such as playing with filters or seeing how the art works on screen.

But remember, that once you tinker with filters and have done what you need to do with trying editing your artwork remember to turn your artwork back to CMYK if this for print. CMYK is a common colour format preferred by most UK printers.

Sadly though, CMYK can…
1 ) Offer a more candid look at your colours at the end of the process.
2 ) Make your colours look like a sadder version of RGB.

‘tangent alert’ Using RGB in the early stages is my preferred method for some projects, not all. It depends on the project.

“Isn’t this madness? You won’t see the genuine colours of your artwork!”

Well unless, your screen is calibrated exactly and you’re using pantones, guaranteeing what you see on the screen to print can be tricky anyway. Besides, I work across both mediums of screen and print, hence working with either CMYK or RGB ( digital )

Trick 2 ) Think of the ‘Bits’

I have tested this method in Adobe Photoshop CS5 and CC with similar results from version to version of Adobe Photoshop. There has been some improvement when working to problem-solve banding.

64-bit – 32-bit – 16-Bit RGB to CMYK

The difference has shown to be marginal but still of noteworthy impact when trying to reduce banding in Adobe Photoshop.

Although the steps are unnoticeable between 8-bit, and 16-bit at reducing banding, this can be enough to tame mild banding.

However, at 32-bit, the latter offered tighter rings and hues around the banding and showed to reduce some of the posterization in Photoshop – 32 bit helped the bands to better blend and higher still should only improve upon this further.

Below is a screenshot from the menu option in Photoshop, when with banding.

*Note : Also the colour profile listed below is on an iMac. This is by no means a significant contribution to the final outcome with reducing banding but may be worth noting in case you are reading this as a Windows PC. Although, I am of the opinion that this should make no difference whether on a Mac or PC. But your screen type might.

Beating posterization in Photoshop.
Caption of colour modes

Trick 3 :  ‘Ultimate Trick’ – Brush & Noise

Assuming that you are running into this issue whilst using a soft-edged brush tool in Photoshop, I would advise turning the noise’ on under the brush panel ( as shown throughout – press F5 to bring this window up)

With noise ticked in the ‘brush setting window’ this helps in the blending steps with greys as shown below.

Based on my experience, this improved the overall smoothness and graduation of the tones from light to dark regardless of bit mode or any other trick and hack for beating banding. Texture can help with the blending, and noise can help with texture. You can also dabble with the filters if you are using large radials (That would be a different article ). 

Example
As you can see below, the black brush at the top has rings that appear like tide marks, (banding). The blend below has far fewer rings as I had the ‘noise’ ticked on my brush. The speckled effect will be less obvious once you take your artwork to print. And shouldn’t look grainy.

But, be mindful not to be overzealous with noise. You may need some trial and error to get the balance right and run some text prints for good measure.

Example of Noise and brush in action

techniques to reduce 'banding' ( Posterization ) in Photoshop example of success.

Trick 4 ) Big to small – experiment with scale

Another trick for tightening banding is by shrinking/scaling down your completed artwork, illustration, or photo.

This works well if you use some of the tricks above to blend and tighten any remaining bands before shrinking your work to hide evidence of banding.

Do this.

When you have applied the ‘noise’ to help blend your artwork, then shrink the image to hide some of the messier details.

This is method not only disguises banding when painting or retouching but also gives the appearance of tighter line work and detail in both photography and illustration. This is a principle I have adapted since being taught this trick in college.

In principle, all you need to do is the following.

Start with your artwork at 100%, and then scale the artwork down to 75%.

If you intend to use this technique, do remember to factor this into the sizing of your artwork with a 25% drop in size!

Eg, if you want your artwork to be 150 cm wide for argument’s sake, consider starting at 200 cm to scale down. Or if you want something to be 750mm wide, start at 1000 mm.
Or if you want to 75 px wide start at 100 px.

In other words, knock a 1/4 quarter of the size but remember to factor in scale back at the end. If you don’t, you may end up with an image that is too small.

  • Step 1 piece of art = 100%
  • Step 2 scale art to = 75%

In theory, nothing is stopping you from playing with lesser scale-backs and scale-downs.

How can this work with hiding banding?

When you print the document some of the details and blemishes are hidden away from the naked eye.

This approach can also hide some of the rings in banding. With an added element of noise, you can combine this to scrub out the bands

Otherwise your hard could look like a dirty spill stain!

Simple techniques to reduce ‘banding’, the final tip

Using a combination of the above has helped me to kick banding into touch. My favourite by far is my experience with noise without going over the top with artwork to make it look fizzy.

You may also find this post interesting :- working the black in print. Or how to edit the text in a card game.

Simple techniques to reduce ‘banding’ – Credentials

My name is Jimm ( Jim ) and I am designer with over 14 + years of experience. I have had to deal the banding. My old college course and grit and experience is what has helped me to deal with banding.