How we created a killer Kickstarter page quickly and on a tight marketing budget – in steps!

This post covers how we planned, created and constructed a Kickstarter page down to the intricate details with a demanding deadline! We wanted to create a page that would both captivate prospective backers and sell a product… with all this in mind, we set about to create a Kickstarter page design quickly.

The crowdfunding page is a final hurdle, the last and important bastion of your project which shouldn’t be ignored.

Kickstarter Logo

How to create a killer Kickstarter page

As you may or may not be aware, creating A Kickstarter isn’t a small undertaking. There are many contributing factors that can influence the success of your campaign, these can range from: the product you are trying promote, the size of your audience, your marketing, page design, your authenticity – the design of the page is a single element of a much larger project. There is no absolute rules to designing your page, Although I have listed some key elements you should certainly consider.

Kickstarter Page | Basic Design Steps

The General Outlay Of A Kickstarter Page Template

  1. Introduce the product / campaign

    At the top of your page, you should place your product or item you are trying to promote. It will be the first thing a potential backer will see. Take this into consideration.

  2. What is the campaign about

    Introduce what your campaign is about and why they (the backer) should back you. You could also consider a talking a bit about yourself here.

  3. Product Contents

    Break down the campaign or product down into details. The KS crowd love to know about what they are backing. For example if you are making a game you could place some of the individuals characters or miniatures.

  4. Key Information

    it is a good idea to break down reward tiers, shipping, when etc so Backers know the details of what happens when they back you what they get at the end of the Kickstarter campaign. Remember to keep it simple to skim.

  5. Trust

    Can you make your product? Do you have experience? Are you passionate about it. Build trust with your campaign.

    Also, place the emphasis on how it will help a backer if they offer their money. Don’t focus on you too much.

    Look at the visual template below on how to Structure a Kickstarter Page design. This is your pitch remember!

Rough diagram for creating a Kickstarter page
Rough diagram for creating a Kickstarter page (feel free to share)

This post focuses on the page design, being a designer this was my largest part in creating project.

HOW TO START YOUR PAGE DESIGN

Plan your page design

If you are well underway with creating a Kickstarter or a crowdfunding project, then you are probably fully aware of how much you have on your plate. You may considering, the video, the hero header, details etc but, have you considered the actual ‘content’ on your page once you have potential backer? Consider what you are saying.

Research and ‘rough out’ your Kickstarter page

You shouldn’t just jump into your graphics package and start making pretty things. Before getting stuck into the details of your Kickstarter it would wise to look at other successful campaigns and inspect what cool elements they have on their pages. When we created pages, we did a lot of research and studied a lot of successful page designs. You shouldn’t copy, but it is worth looking at the best bits of campaigns to see what they are doing right – especially if they are promoting a similar product.

Now, start designing your page

If you have an idea of how you want your page to behave or act now could be a time to move onto your graphic design. A Kickstarter page is not only about creating a fancy theme, it needs to have easy to read content packed with relevant and interesting information about your campaign and product. Sell your campaign and show how it’s a must have for your backers.

Keep it clear and concise

You need to keep your page easy to navigate and perfect for those with a 2 second attention span. The backer should be able to skim the content easily and pick out the useful data. Such as ; what the product is, rewards and when you are intending to manufacture the game.

Make the rewards stand out

Web users are impatient. Make the rewards easy to find in the body of your page and make them look exciting! You want to grab a potential buyers attention and drive them to make a call to action. In other words – ‘back your campaign’ – now!

Be authentic

The crowdfunding community can sniff out anything that is a little bit off with your campaign – it’s like blood to a shark, you don’t want sharks swimming around you I’m sure.

Be as honest and as open as possible. You should be clear and open with your backers, you want them to trust you! Using rendered images, fluffy ‘Maybe’ language, or concealing parts of the project will only arouse suspicion when at this delicate stage you want to win trust.

Tell a story

Who are you and why are you doing a Crowdfunding campaign? Don’t be afraid to create a story about why you want funding and why others should feel as passionate about your campaign.

Validation

To convince a backer that you are able to fulfill your demand, you will need to make sure you cover a few areas on your page design. Eg.

– Do you have previous experience in what you are trying to create?
– How many years experience do you have?
– Do you have a trusted supplier?

You don’t have to focus on all the fears of your project, but mentioning a couple can add an extra layer of sincerity.

Make it VERY interesting

Keep your page interesting, you want to hold the backers attention for as long as possible. Writing line after line of text about your campaign is too much, you are expecting too much from the backer.

You need to break up the information and make it easy to skim. Vary the page by including diagrams, illustrations, photo’s, animations, videos, timelines and any other element that could stimulate the reader. This is about designing your content and how you intend for it to be read. Make it great for ‘them’ not you.

Don’t be boring!

A killer Kickstarter page design isn’t a guarantee

With all of this excitement about creating a killer Kickstarter page getting you bouncing with joy, I feel it is only responsible for me to say this

A killer Kickstrarter page doesn’t guarantee success.

The page design is a slice of a very big crowdfunding project cake, an important slice, but not the only part.

The page design is important but it is useless If you are creating with no audience to see it…

But don’t scrimp on the page design either

The crowdfunding page is an import stage to the campaign, don’t neglect it. The page design is your last port of call – a landing page – to convert a speculate backer into your product champion!

That was a guideline that will hopefully fast track your page design

The pages I designed came from study and collaboration and a little extra sauce. Below outlays my involvement in the creating the Kickstarter.

Guess poo, was a parody game about ‘guessing’ what poo your opposing player has. You can read more on my crowdfunding design services here >

The Characters – the characters were an important part of game, this is where I could go to town on creating characters that would capture the infantile fun and playful nature of Guess Poo. The Character Illustrations are a composite drawing created by me using a pen and Adobe Illustrator.

Guess Poo character vector art for crowdfunding page
Poo characters created by me

Time Line – a pooing timeline, how could I resist. A game about poo, it would have to be a sewage pipe. Pipeline

Vector graphics of kickstarter page
The Time + the top of the Kickstarter Page
character design
Lovely…

Video intro, placed at the start of the video on the Kickstarter Page.

Did you know?

That you can integrate your campaign with Google analytics and see how many visits the page is getting? I would recommend doing it, it will show you the peaks times for you campaign.

That is all on how to design a Kickstarter page, quickly and on a shoe string budget.

Thank you for reading, if you would like help with you campaign or design project feel free to get in touch.


You may wish to read how we created a successful game or look at my design services.

Speed tips for Photoshop layers!

Speed tips and shortcuts for Photoshop layers!

If like me you need work layers in Photoshop any time saving measure is a bonus. I have a compiled a short list of shortcuts for making the best use of Photoshop’s layers for both the Mac and PC – Enjoy!

(Swap CMD for CTRL on Windows)

Photoshop Layer Icons
Photoshop Layer icons
Photoshop Layer UI
Layer Graphics

Change the layer order,
move it up and down :

  • Cmd+[ Move Down
  • Cmd+] Move Up 
  • Cmd+Shift+] = to move it to the bottom of the stack
  • Cmd+Shift+[ = Move it to the top of the stack

Direct select a layer

With move tool selected (V) hold Cmd to highlight the layers directly from the art board. This will also highlight groups.

Duplicate a layer 

Ideal for copying a layer! Cmd + J to copy a selected layer! Or you can drag the selected onto the ‘New” icon! OR right click and duplicate – A personal fave.

Colour Coordinated

In addition to organizing you layers into folder and groups, why not colour coordinate the layers so you glance at groups? Brown for dirt, green for sea etc. Right click and select a colour.

New Layer Cmd+Shift + N brings up the new layer dialogue.

Cycle Through Blend Modes

Need to see what a multiply, saturation, or overlay will look like on the fly?

Shift + (Minus or plus, top right of the keyboard)

Layer Opacity
With the layer selected you can quickly change its opacity by pressing >

Shift + (Minus or plus, top right of the keyboard)
Shift + 22, 30, 23 (a number from the top row) typing the number in quick succession will change the layers opacity percentage. Hold shift and then press “22” the layer will be 22% “30” = 30 %.

Very handy for digital painting or retouching.

Group Layers

Select your layers and press Cmd + G to group them together. If you are not grouping your numerous layers… you should start. For sanity’s sake.

The original text for this was created and added to blogger in 2016 (Jimm Odell Blog). This has since been tweaked and added to this blog – the professional blog.

Easiest way to make a Photoshop brush – short tutorial

The easiest way to make a Photoshop brush. This is a short tutorial on how to make a simple Photoshop brush in simple easy-to-follow steps. No fuss, no headaches.
I have used this exact same technique for making brushes over the years as a designer.

It is straightforward to make your custom brushes in Photoshop ( or Adobe Photoshop ) as an overview. All you will need to do in essence is draw your shape or item on a blank document and turn this selection into your new Photoshop brush.

The core steps : Start with creating your brush, defining it, and adding it to your palette! Let us draw a shape on black on a white background and see easiest way to do it.

Now to the steps on the easiest way to make a Photoshop brush.

1 ) New Document

1 ) Open PS and make a new document – 300 x 300 px and 72 DPI for good measure, make sure the background is set to white. ( You also work with other size and resolutions if you prefer )

2 ) Create Your Brush

2 ) Working in black and white (Shortcut ‘D’ for black and white) draw your brush shape (in black) onto your new document. For the sake of this tutorial, I have made mine a solid brush.

Photoshop brush splat - Easiest way to make a Photoshop brush - short tutorial
Create A Photoshop Brush

3 ) ‘Select’ The Brush

3 ) Either by using the marquee tool or Apple + ‘a’ to select all (CTRL + A for windows). And select the area or part you want to turn into your brush. For me, I wanted to use only the black splat in this example.

If you have selected the brush you want to define, you can go to the next step!  Make sure you have selected your brush artwork. With selections, you may see ‘marching ants’ around your selection.

4 ) Define Brush

4 ) Go Edit > scroll down to  ‘Define Brush Preset’ and click on or select it.
label your brush, I called this oneblob and then click ‘OK’

Name your brush | Easiest way to make a Photoshop brush
Label Your Brush

5 ) You have created a brush in Photoshop!

Well done, you should now have designed your very own custom brush and saved it to your library. If you press ‘F5′ to look at your brush palette, you will see the brush you have just made listed at the bottom of your library.

Why not open a new document and test out your newly created Photoshop Brush, I hope you enjoy making more awesome brushes.

Brush library | Palette tutorial on making a Photoshop brush.
Brushes!

If you need a Professional Designer experience in Photoshop come and say hello!

If you are a DIY designer or creator, you may find some of these topics helpful. How to edit text in inDesign for card games. Or how to draw on a computer.

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop | Tricks

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop ( *updated )

Posterization or ‘banding’ as it is known in Photoshop is a bane to many graphic design professionals or those working in print.

However, ‘banding’ is not limited to just print.

Banding, or posterization can also occur with screen-based imagery but it tends to be more pronounced and commonplace with print-based media in my experience. There is nothing more frustrating than seeing your lush and smooth gradient onscreen only when printed to see the same artwork with segmented bands across your gradient.

Over the years as a professional in-house designer, I have come across banding on more than one occasion. One of the worst culprits for showing banding is when working with greyscale or black. It was a challenge that used to drive me up the wall.

After much trial and error, here is a quick overview of some simple techniques I used to employ to reduce banding in Photoshop.

Some of the simplest techniques to reduce banding or posterization in Photoshop is by either applying ‘noise’ to your brush ( in your brush settings F5 ) or creating a separate ‘noise’ layer and overlaying this on top of a gradient layer to disguise the banding. This will give the illusion of smoother better blended artwork and remove the ‘stepping’ from your gradient. These techniques for handling banding can work especially well when working with mono-colour gradients such as black and white. There are also other tricks I have used in conjunction with this method written below.

It often took various attempts to get it correct before sending it to print so don’t become too disheartened if your first try isn’t quite on par with what you expect.

Simple techniques to reduce ‘banding’ | how I handled it

I often ran into banding situations when creating super smooth blends with colour.

It often took various attempts to get it correct before sending it to print so don’t become too disheartened if your first try isn’t quite on par with what you expect.

*Simple tip! If you have a local home printer or high-quality photographic inject printer, use this to test and measure your artwork.

I found these methods I have written below to make a world of difference when it came to creating a prototype or print production. All these methods I have actively used when working in Photoshop.

Some may call these hacks, others tricks but I like to regard them as ‘techniques’ for fixing a problem in print.

You may need to try various levels and settings, brushes and overlays to cure your banding problems. One solution may be enough, but you may wish to employ more than one if you are struggling to get the result you want.

Here is a detailed overview of some of the simple techniques I used to reduce banding.

Simple techniques to reduce 'banding' ( Posterization ) in Photoshop example banding
Look in the top left of the brush, and notice how you can see the steps/rings on the outermost edge? This is much less obvious in the lower part of the black blob where I have switched the noise on. This is an example of where I have used noise! Take note of the speckly grainy edge of the soft-brush. This brush helps the ‘steps blend better!

Simple techniques to reduce ‘banding’ ( Posterization ) in Photoshop – tricks

Simple techniques to reduce 'banding' ( Posterization ) in Photoshop - how to smooth...
Silkly smoote !!

Before jumping in with the simple tricks you can use. Let us start with the basics. Or if you can’t be bothered reading about banding and when it occurs, you can jump straight to the tricks and hacks for dealing with it.

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Banding & Posterisation in Photoshop – When it occurs

If you don’t wish to read about when “banding” has occurred for me, feel free to jump to the next section.

The dreaded banding aka Posterization in Photoshop.

Drawing, digital painting, and creating renders in Photoshop have been a core part of my past and present career.

I have seen the issue of ‘banding’ arise over and over again, so have had to find techniques to better deal with it.

This issue rears its ugly head when it comes to working with radial and linear gradients and tones of black and grey inside Adobe Photoshop.

When working with black as part of the colour palette, I have witnessed these scenarios of when banding tends to happen :

  • When rendering characters like Rufus the rat as ( black and grey ) ( illustrated below )
  • When trying to gain soft curves of light-darker areas
  • When light grey curves around to dark grey
  • It was more common when working with black
The methods above were used on this character – Copyright Satzuma LTD – Rufus Rat.
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Trick 1 ) ‘RGB?’

Controversial, I know. But when waging a battle to reduce ‘banding’ in Photoshop, any tool at your disposal can help.

RGB ‘can’ offer a greater degree of flexibility in the beginning when trying to wrestle with artwork to remove banding such as playing with filters or seeing how the art works on screen.

But remember, that once you tinker with filters and have done what you need to do with trying editing your artwork remember to turn your artwork back to CMYK if this for print. CMYK is a common colour format preferred by most UK printers.

Sadly though, CMYK can…
1 ) Offer a more candid look at your colours at the end of the process.
2 ) Make your colours look like a sadder version of RGB.

‘tangent alert’ Using RGB in the early stages is my preferred method for some projects, not all. It depends on the project.

“Isn’t this madness? You won’t see the genuine colours of your artwork!”

Well unless, your screen is calibrated exactly and you’re using pantones, guaranteeing what you see on the screen to print can be tricky anyway. Besides, I work across both mediums of screen and print, hence working with either CMYK or RGB ( digital )

Trick 2 ) Think of the ‘Bits’

I have tested this method in Adobe Photoshop CS5 and CC with similar results from version to version of Adobe Photoshop. There has been some improvement when working to problem-solve banding.

64-bit – 32-bit – 16-Bit RGB to CMYK

The difference has shown to be marginal but still of noteworthy impact when trying to reduce banding in Adobe Photoshop.

Although the steps are unnoticeable between 8-bit, and 16-bit at reducing banding, this can be enough to tame mild banding.

However, at 32-bit, the latter offered tighter rings and hues around the banding and showed to reduce some of the posterization in Photoshop – 32 bit helped the bands to better blend and higher still should only improve upon this further.

Below is a screenshot from the menu option in Photoshop, when with banding.

*Note : Also the colour profile listed below is on an iMac. This is by no means a significant contribution to the final outcome with reducing banding but may be worth noting in case you are reading this as a Windows PC. Although, I am of the opinion that this should make no difference whether on a Mac or PC. But your screen type might.

Beating posterization in Photoshop.
Caption of colour modes

Trick 3 :  ‘Ultimate Trick’ – Brush & Noise

Assuming that you are running into this issue whilst using a soft-edged brush tool in Photoshop, I would advise turning the noise’ on under the brush panel ( as shown throughout – press F5 to bring this window up)

With noise ticked in the ‘brush setting window’ this helps in the blending steps with greys as shown below.

Based on my experience, this improved the overall smoothness and graduation of the tones from light to dark regardless of bit mode or any other trick and hack for beating banding. Texture can help with the blending, and noise can help with texture. You can also dabble with the filters if you are using large radials (That would be a different article ). 

Example
As you can see below, the black brush at the top has rings that appear like tide marks, (banding). The blend below has far fewer rings as I had the ‘noise’ ticked on my brush. The speckled effect will be less obvious once you take your artwork to print. And shouldn’t look grainy.

But, be mindful not to be overzealous with noise. You may need some trial and error to get the balance right and run some text prints for good measure.

Example of Noise and brush in action

techniques to reduce 'banding' ( Posterization ) in Photoshop example of success.

Trick 4 ) Big to small – experiment with scale

Another trick for tightening banding is by shrinking/scaling down your completed artwork, illustration, or photo.

This works well if you use some of the tricks above to blend and tighten any remaining bands before shrinking your work to hide evidence of banding.

Do this.

When you have applied the ‘noise’ to help blend your artwork, then shrink the image to hide some of the messier details.

This is method not only disguises banding when painting or retouching but also gives the appearance of tighter line work and detail in both photography and illustration. This is a principle I have adapted since being taught this trick in college.

In principle, all you need to do is the following.

Start with your artwork at 100%, and then scale the artwork down to 75%.

If you intend to use this technique, do remember to factor this into the sizing of your artwork with a 25% drop in size!

Eg, if you want your artwork to be 150 cm wide for argument’s sake, consider starting at 200 cm to scale down. Or if you want something to be 750mm wide, start at 1000 mm.
Or if you want to 75 px wide start at 100 px.

In other words, knock a 1/4 quarter of the size but remember to factor in scale back at the end. If you don’t, you may end up with an image that is too small.

  • Step 1 piece of art = 100%
  • Step 2 scale art to = 75%

In theory, nothing is stopping you from playing with lesser scale-backs and scale-downs.

How can this work with hiding banding?

When you print the document some of the details and blemishes are hidden away from the naked eye.

This approach can also hide some of the rings in banding. With an added element of noise, you can combine this to scrub out the bands

Otherwise your hard could look like a dirty spill stain!

Simple techniques to reduce ‘banding’, the final tip

Using a combination of the above has helped me to kick banding into touch. My favourite by far is my experience with noise without going over the top with artwork to make it look fizzy.

You may also find this post interesting :- working the black in print. Or how to edit the text in a card game.

Simple techniques to reduce ‘banding’ – Credentials

My name is Jimm ( Jim ) and I am designer with over 14 + years of experience. I have had to deal the banding. My old college course and grit and experience is what has helped me to deal with banding.